laura pannack - Boundaries of play
from the series The journey home.
The Journey home
Read the attached documentation, and sign the following:
Declaration form - please use your full name (as it appears on your passport) in this form. The form must be printed out in colour and must be manually filled in and have a wet signature (digital signatures cannot be accepted).
Fire Safety Form - to come later today (see below)
Provide a coloured photo of your passport in png format with all 4 corners of the passport visible on a plain white background. The 4 corners should be visible with no glare or shadow on the picture and no objects in the shot.
A headshot photo of yourself with a white background (this will be used on your pass). The photo should have been taken within the last 7 days. It should not be the same one used on your passport photo, but it should follow all the rules of a passport style photo (white background, hair away from face, no smiling etc.).
Please confirm if you require a visa that grants you the right to work in the UK and that you hold one. If so, please provide the following details:
Visa type
Visa ID number
Expiry date
Laura Pannack is a London-based photographic artist (b.1985). Renowned for her portraiture and social documentary work, she explores the complex relationship between sitter and photographer. Many of her projects focus on youth and time, often working with adolescents and blending her passion for psychology and creativity through collaborations with various practitioners and academics.
Believing in a process rooted in shared experience, Laura uses the camera as a bridge, approaching her sitters with curiosity, openness, and a desire for genuine connection. Driven by research-led, self-initiated projects, Laura seeks to grow both artistically and personally. Her long-term projects evolve organically, allowing narratives to develop naturally. By predominantly shooting on analogue film, she embraces unpredictability, inviting chance and fate into her creative process.
“The work aims to tell and inspire stories. My aim is to connect and emotionally engage with a viewer. I want you to look at my images and see your own story too.”
laura pannack - Boundaries of play
from the series The journey home.
The Journey home
Read the attached documentation, and sign the following:
Declaration form - please use your full name (as it appears on your passport) in this form. The form must be printed out in colour and must be manually filled in and have a wet signature (digital signatures cannot be accepted).
Fire Safety Form - to come later today (see below)
Provide a coloured photo of your passport in png format with all 4 corners of the passport visible on a plain white background. The 4 corners should be visible with no glare or shadow on the picture and no objects in the shot.
A headshot photo of yourself with a white background (this will be used on your pass). The photo should have been taken within the last 7 days. It should not be the same one used on your passport photo, but it should follow all the rules of a passport style photo (white background, hair away from face, no smiling etc.).
Please confirm if you require a visa that grants you the right to work in the UK and that you hold one. If so, please provide the following details:
Visa type
Visa ID number
Expiry date
Laura Pannack is a London-based photographic artist (b.1985). Renowned for her portraiture and social documentary work, she explores the complex relationship between sitter and photographer. Many of her projects focus on youth and time, often working with adolescents and blending her passion for psychology and creativity through collaborations with various practitioners and academics.
Believing in a process rooted in shared experience, Laura uses the camera as a bridge, approaching her sitters with curiosity, openness, and a desire for genuine connection. Driven by research-led, self-initiated projects, Laura seeks to grow both artistically and personally. Her long-term projects evolve organically, allowing narratives to develop naturally. By predominantly shooting on analogue film, she embraces unpredictability, inviting chance and fate into her creative process.
“The work aims to tell and inspire stories. My aim is to connect and emotionally engage with a viewer. I want you to look at my images and see your own story too.”